|
Much of my art is for sale. Please contact me if you are interested in purchasing art. |
|
I have always been immersed in art; my grandfather was a painter by profession and I liked to draw as a child. However I did not enjoy art classes and abandoned a college art major after eighteen months. Making "art" was an occasional hobby until I moved to Port Townsend in 1998, when making art became part of my daily life. I work with a variety of media, and have a great interest in sculpture.
I often use assembly in my process. I enjoy the layering and combining
that is intrinsic to print making, and I appreciate and use the element
of surprise in my work. My focus is on the end result rather than the
technique. I become totally absorbed in the process of making things, in the logistics of assembling, printmaking, painting or carving. I am addicted to this, and don't mind some frustration along the way. Overcoming obstacles contributes to the ultimate satisfaction. The process is not enough; I also want to create satisfactory work! Ideally my art will evoke a story, an emotion, a mood, or a sense of surprise in the viewer. It should spark the imagination, cause you to see something in a new way, or experience an unexpected feeling. I struggle to create art that will do this. There are many applicable words: balance, tension, beauty, energy, etc. Basically I look for both a surface level aesthetic: the products of color, line and form, and also something else: something more illusive to hold my interest over time. How do I know when a piece is "done"? I cannot readily explain why certain combinations of images and objects come together for me to create something more than the sum of the parts. I don't want the emphasis to be on the words or the analysis; I want the art work to communicate visually, and to go beyond words. Occasionally the act of creation is almost magical: I am caught up with excitement, the ideas and the materials mesh together, and I just stop and look, and know! More often, the work seems to hold promise, yet lack the magic. I may
set it aside, but in plain view, for days, weeks, or even months. I may
experiment with ideas, trying various combinations. I may seek advise.
The piece will be complete when I can enjoy letting my eye linger, when
I am satisfied in stopping to consider it in passing, or else the work
may just be retired to the collage "parts" drawer! |
|
|
Art has always been important in my life. As a child, I took drawing requests at school, particularly for drawings of fairies! My grandfather, Robert Sivell, made art a lifetime career, painting in oils and teaching at Gray's School of Art (Robert Gordon University, Aberdeen, Scotland). However I did not enjoy art classes, often felt frustrated, and lost my pleasure in drawing. I gave up a college art major after 18 months, returning to school a year later to major in computer science. Art became a minor interest, and my creative efforts were limited to producing batik clothing for Christmas presents. In 1997, I left a well-paid job in Seattle, Washington for a more satisfying life in Port Townsend. Here my husband and I built a straw bale home. I found myself adding artistic elements to the house, learning to use power tools and construction scrap to make yard art, and even painting a little. Once the house was built, I cautiously tried, and enjoyed, several art workshops and classes. I was becoming an artist. In 2005 I took both sculpture and painting classes in San Miguel de Allende, Mexico, at Instituto Allende and at Instituto Nacional de Bellas Artes. For several years I have attended a weekly mixed media art class when at home in Port Townsend, and I have benefited from many workshops given by Northwest artists. I have had artwork accepted in several local juried shows, and I put
together my first solo show in 2006. |
|